Showing posts with label wild west show. Show all posts
Showing posts with label wild west show. Show all posts

Monday, January 4, 2016

First American Cowgirl




 The First American Cowgirl....Lucille Mulhall



Equally skilled with rifle, lariat and horse, a teenager from Oklahoma named Lucille Mulhall became America’s first cowgirl. Will Rogers wrote that Lucille's achievement in competition with cowboys was the 'direct start of what has since come to be known as the Cowgirl'. He continued to write, “there was no such a word up to then as Cowgirl”. It was coined to describe her after she beat dozens of cowboys in a 1904 cattle-roping competition that set world records.

Lucille Mulhall was born on October 21, 1885, in St. Louis, Missouri to Colonel Zack and Agnes Mulhall. Native American tribes still roamed the open grassland of the Mulhall Ranch when Lucille was growing up. Wolves prowled the prairie, preying on the Mulhall livestock. Cowhands were a vital part of ranching; roping, branding, round-ups and shooting were practical skills instead of pastimes. The little blonde girl with blue-gray eyes was an eager student for the ranch hands and cowboys who lived in the bunkhouses of the Mulhall spread. Lucille, instead of learning piano or sewing like her sisters, learned to toss a lariat and tie a steer. Lucille learned her horsemanship and skills from the Cowboys who rode the cattle drives of the Old West.







Lucille Mulhall was a cowgirl long before she entertained crowds with feats of horsemanship on Governor, her trained horse. By the age of 7, she was riding around her father’s 80,000-acre ranch. Cowboys who rode the plains of the Indian Territories tutored her in the art of lassoing. Zack Mulhall claimed that when his daughter was 13, he told her she could keep as many of his steers as she could rope in one day. Lucille, he bragged, didn’t quit until she lassoed more than 300 cattle! "By the age of fourteen,” the New York Times reported, "She could break a bronco and shoot a coyote at 500 yards.” Teddy Roosevelt was among Lucille’s fans. While campaigning in Oklahoma as a vice presidential candidate in 1900, Roosevelt first saw the blonde teenager perform. It was the Fourth of July, and Lucille roped in front of a crowd of 25,000 people at a "Cowboy Tournament.” The Daily Oklahoman reported, "Roosevelt was most enchanted with the daring feats of Lucille Mulhall.” "She rode beautifully throughout the contest and lassoed the wildest steer in the field.”

Teddy Roosevelt was so dazzled by the 14-year-old’s skills that he invited the Mulhalls to join him and a select group of Rough Rider veterans at a private dinner. That night Lucille gave the hero of the charge up San Juan Hill the silk scarf she had worn during the Cowboy Tournament.







When Zack Mulhall reciprocated the dinner invitation by asking Roosevelt to stay at his ranch, Teddy readily accepted. After watching Lucille’s daredevil antics on the ranch, Roosevelt encouraged her father to get her more exposure. "Zack, before the girl dies or gets married or cuts up some other caper,” Roosevelt reportedly said, "you ought to put her on the stage and let the world see what she can do.” During that same visit, Roosevelt spent time in the saddle riding alongside Lucille. He saw a gray wolf at a distance, which whetted his appetite for the hunt. The wolf eluded Roosevelt that day, but it didn’t escape Lucille. After Roosevelt left, she hunted down the predator. By one account, she dispatched it with a shot from her Winchester, but in another version she lassoed the creature and clubbed it to death. The pelt was sent to Roosevelt, who displayed it in the White House after he and McKinley won the presidential election that fall. Roosevelt later gave Lucille a saddle and an 1873 Winchester .44-40 that had been presented to him.

Lucille Mulhall, was the first well known cowgirl. She competed with 'real' cowboys - the range hardened cowboys accustomed to riding for days in the saddle; the cowboys who spent many hours branding cattle. Her expert roping skills were a natural talent honed by the skills of another natural roper - Will Rogers. She not only was an expert at using the lariat but she had a natural gift of working with horses. She trained horses to respond to the roping of a steer as well as how to perform a number of what she called 'tricks.' Her trained horses she called 'high schooled horses' and one was particularly famous: "Governor." She claimed her horse, Governor, knew at least forty tricks. He could pull off a man's coat and put it on again, could walk upstairs and down again, a difficult feat. He could sit with his forelegs crossed, could lie down and do just about everything but talk.







In 1904 Lucille competed against the best cowhands from across the Southwest in a roping contest at Dennison, Texas. In this competition she won a belt buckle, declaring her to be the World's Champion Lady Roper. She won three solid gold medals in Texas for steer roping, a trophy for winning a Cutting Horse contest as well as many other medals, trophies and honors. At the turn of the twentieth century Lucille Mulhall was American's greatest cowgirl.

While still in her early teens, Lucille was the top cowboy performer in the West. Extremely feminine, soft-spoken, and well educated, she seemed a paradox, for she was so steel-muscled she could beat strong and talented men at their own games. She could have been a society belle, but she loved the rough, dangerous life of a cowboy. Had she been a man, she would have been content to work on a ranch, but as a woman she was a novelty and the only way she could make use of her singular talents was in show business. The term cowgirl was invented to describe her when she took the East by storm in her first appearance at Madison Square Garden (in 1905). "Against these bronzed and war-scarred veterans of the plains, a delicately featured blonde girl appeared,” a 1905 New York Times profile intoned. "Slight of figure, refined and neat in appearance, attired in a becoming riding habit for hard riding, wearing a picturesque Mexican sombrero and holding in one hand a lariat of the finest cowhide, Lucille Mulhall comes forward to show what an eighteen-year-old girl can do in roping steers.”




In 3 minutes and 36 seconds, she lassoed and tied three steers. "The veteran cowboys did their best to beat it,” the New York Times reported, "but their best was several seconds slower than the girl’s record-breaking time. The cowboys and plainsmen who were gathered in large numbers to witness the contest broke into tremendous applause when the championship gold medal was awarded to the slight, pale-faced girl, and from that day to this Miss Mulhall has been known far and wide throughout the West as the Queen of the Range.”

Lucille had set a new world record. She won a gold medal and a $10,000 prize. Just as she had dazzled Teddy Roosevelt, Lucille now entranced journalists. Newspapers showered her with titles like "Daring Beauty of the Plains” and "Deadshot Girl,” but the one that stuck was "Original Cowgirl.”

Lucille’s career took her to Europe, where she performed for heads of state and royalty. She officially retired in 1917 at age 32. Live Wild West performances were being eclipsed by the rise of Hollywood westerns. Ironically, many of the stars of silent movies, including "King of the Cowboys” Tom Mix, got their start in Zack Mulhall’s Congress of Rough Riders. But as late as the 1930s, Lucille still did exhibition riding on the Mulhall Ranch.





Throughout her life, Lucille remained captivated by show business and more loyal to her father than to any other man. Her two marriages ended in divorce, and she rarely saw her son, born in 1909, because she was always on tour. Though Lucille was a top draw at Wild West shows and had run her own company, "Lucille Mulhall's Round-up," many people considered her an ineffective wife and mother because she had never learned to do "woman's work."

Although Wild West shows became less popular and less financially viable starting in the mid 1910s, Lucille and her brother Charley continued to perform in them through the 1930s. Show attendance dwindled, as did the number of performers. Despite the lack of publicity being given to wild west shows in the shadow of the polio epidemic, the United States' entry into World War I, and then the Great Depression, Lucille seemed unable to pull herself away from the limelight. She made her last known public appearance in September of 1940.


Lucille went back to work at her families ranch, which was located fourteen miles north of Guthrie, Oklahoma, on highway 77. The Mulhall ranch at one time encompassed 80,000 acres of land, much of which was unclaimed land. In addition some land was leased. The original ranch began with 160 acres claimed at the 1889 Oklahoma Land Opening. The Mulhall family operated their show and cattle business from this ranch and had many visitors. Some of their famous visitors were President Theodore Roosevelt, Will Rogers, Tom Mix and even the outlaw Henry Starr. Geronimo also was an admirer of Lucille's talent and gave her a beaded vest and a decorated Indian bow.

Lucille Mulhall died less than a mile from the Mulhall Ranch in an automobile accident on December 21, 1940. She was only 55 years old. In December 1975, she was posthumously inducted into the National Rodeo Hall of Fame.








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Wednesday, March 4, 2015

The Nerviest Cowgirl....Fox Hastings






 
Eloise Fox Hastings…..”The nerviest cowgirl” as quoted by the announcer, Foghorn Clancy, at her first rodeo.  I suppose that is why when she was a little girl her parents sent her away to a convent school. But, being a rebel she ran away from the convent and joined the Irwin Brother’s Wild West Show. While at the Wild West Show she met Mike Hastings.


Mike Hastings was a bulldogger (steer wrestler) for the Irwin Brother’s Wild West Show. Mike taught Fox how to bulldog and the basics of the rodeo competition. At the age of 16 Fox married Mike Hastings and began her bulldogging and rodeo career.
At the start of her career with Irwin Brother’s Wild West Show, Fox performed trick, bronc riding, and relay racing. But, in 1924 at the Forth Worth Texas Rodeo Fox debuted her bulldogging talents. The announcer of the Rodeo and Fox’s manger, Foghorn Clancy, described the condition of the arena “as muddy as a hog wallow”. Fox set a record time that day of 17 seconds.


This was just the beginning of her famous bulldogging career. Fox broke records wherever she went and her charisma and athletic ability brought her praise throughout her career. In Houston, at the Cattlemen’s Convention Fox was named the most outstanding act of the entire Texas Rodeo. Fox continued to compete in rodeos and perform in the Wild West Shows for about 10 years. 


That little girl with the rebel spirit who was sent to a convent was known as the redheaded feminine daredevil of the arena. Fox’s cowgirl spirit, enthusiasm for bulldogging and her love of the competition made Fox the perfect candidate for the Rodeo Hall of Fame. Eloise Fox Hastings was inducted into the Rodeo Hall of Fame in 1987.


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Wednesday, July 27, 2011

Denny Chapman Starts Cowboy Mounted Shooting Talk Show



Denny Chapman professional cowboy mounted shooting competitor and wild west entertainer has launched an exciting new endeavor....

Denny Chapman's Mounted Shooting Talk Radio. This show is all about cowboy mounted shooting!!! Interviews, tips and information about the fastest growing equestrian sport in the country!

You can even call in and be a part of the show - talk to the host, Denny Chapman during the show with live chat!

This is such an exciting venture, the response has been overwhelming!!!!! Denny's show has reached thousands of people already!!!!!


Buckaroo Leather has had the honor of being part of Denny's third installment of his talk show..... You can listen here to the show (see below)

Listen to internet radio with DennyChapman on Blog Talk Radio


I encourage all of you to support Denny Chapman in his new venture and listen to his show and pass along the link (see below) to the show. Be sure to sign up on the Blog Talk Radio site to stay updated with Denny’s exciting upcoming episodes.


Denny Chapman Talk Show Link- http://tinyurl.com/3jaeluo

Denny, shows are currently scheduled for Thursday evenings at 6:30pm Eastern. You can contact Denny Chapman between broadcasts via www.DennyChapman.com or connect with Denny via Facebook.


Thank you to Denny for havin
g Buckaroo Leather apart of your show and Congrats to you for being crowned

The 2011 SASS Men's All-Around World Champion -






Our family has been dedicated for 30 years in serving the
Western Horseman the safest most durable
Quality American made leather horse tack.......Buckaroo John Brand
Buckaroo Leather, The Brand to Demand
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Friday, May 21, 2010

Wild West Shows of the 1800's

The origination of the Wild West Show derived from the interest shown by the east of the rough and wild western frontier. The real west was unknown to them, and they were willing to believe just about anything. The Easterners were enthralled by the west. The shows satisfied their cravings for adventure and allowed the show goers to be apart of the thrill and danger of the West without actually taking the treacherous move there. The Wild West shows preserved the disappearing world of the unsettled and untamed west and brought it to life for audiences.

The Wild West shows were a winning combination of history, patriotism, and adventure. The shows managed to create an enduring spirit of the unsettled west and capture audience’s hearts throughout America and even Europe.

Over time, there were various different Wild West shows. After the first Wild West show was born, dozens of others shortly followed in its wake. Various people, with flamboyant names, such as Dr W.F. Carver, Pawnee Bill, Buckskin Joe, and Mexican Joe began their own unique shows. Women also tried their hand in the business, with names headlining as Luella-Forepaugh Fish and the Kemp Sisters. But out of all the shows, the first, most famous, and by far most successful of all was Buffalo Bill’s Wild West Show.


William Frederick Cody, better known as Buffalo Bill, can be credited with helping to create and preserve a lasting legend of the West. Buffalo Bill’s Wild West Show took the reality of western life and glamorized it into an appealing show. The Wild West shows permanently preserved the legend of the Wild West.


Buffalo Bill was born William Frederick Cody on February 26, 1846. He lived until January 10, 1917. Cody grew up on the frontier and loved his way of life. As he got older, some of his titles he earned included buffalo hunter, U.S. army scout and guide, showman, as well as Pony Express Rider, Indian fighter, and even author.

His track of fame began with his reputation as a master buffalo hunter. While hunting buffalo for pay, to feed railroad workers, he shot and killed 11 out of 12 buffalo, earning him his nickname and show name “Buffalo Bill.” As an army scout, Cody extended his fame by gaining a reputation for bravery. As a well-known scout, he often led rich men from the East and Europe and even royalty on hunting trips. Cody’s fame began to spread to the East when an author, Ned Buntline caught wind of him and wrote a dime novel about Buffalo Bill, called “Buffalo Bill, the King of Border Men”. To top it all off, Buntline’s novel was turned into a theatrical production, which greatly contributed to his success and popularity in the east.

Before long, Cody ended up starring as himself in Buntline’s play. Soon after, he started his own theatrical troop. It wasn’t until 1883 when Cody first got his idea for a Wild West Show.

Cody did not want to see his way of life vanish without remembrance. The idea started in his hometown of North Platte, Nebraska. In 1882 he convinced the town to sponsor an “old Glory Blowout” each 4th of July. Events included were a rodeo competition and horseback exhibits. All this provided the idea for his famous Wild West Show.

In creating the Wild West Show, Cody also created the myth of the adventuresome, exciting, and outright wild western frontier. Cody helped pitch-in to give the West its image as we see it today. The shows consisted of reenactments of history combined with displays of showmanship, sharp-shooting, hunts, racing, or rodeo style events. His shows promoted the simple formulas of good vs evil and civilization against barbarism.



Each show was 3–4 hours long and attracted crowds of thousands of people daily. The show began with a parade on horseback. The parade was a major ordeal, an affair that involved huge public crowds and many performers, including the Congress of Rough Riders. The Congress of Rough Riders was composed of marksman from around the world, including the future President Theodore Roosevelt, who marched through the parade on horseback.


Among the composition of the show were “historical” scenes. The exact scenes changed over time, but were either portrayed as a ‘typical’ event such as the early settlers defending a homestead, a wagon train crossing the plains, or a more specific event such as the Battle of the Little Bighorn. In both types of events, Buffalo Bill used his poetic license to both glorify himself or others while heightening the villainous mischievousness of the “bad guys” (outlaws or Indians) and to embellish each situation for theatrical enhancement. “Typical” events included acts known as Bison Hunt, Train Robbery, Indian War Battle Reenactment, and the usual grand finale of the show, Attack on the Burning Cabin, in which Indians attacked a settler’s cabin and were repulsed by Buffalo Bill, cowboys, and Mexicans.

A more specific historical event in the show might have been a reenactment of the Battle of Little Bighorn also known as “Custer’s Last Stand”. This event was made into a famous act performed in the show, with Buck Taylor starring as General George Armstrong Custer. In this battle, Custer and all men under his direct command were killed. After Custer is dead, Buffalo Bill rides in, the hero, but he is too late. He avenges Custer by killing and scalping Yellow Hair (also called Yellowhand), which he called the “first scalp for Custer”. This reenactment is exciting for the audience and also stresses that if Buffalo Bill rode in on time, Custer and his men may have been saved.

Shooting competitions and displays of marksmanship were commonly a part of the program. Great feats of skill were shown off using rifles, shotguns, and revolvers. Most people in the show were all good marksmen but many were experts. Buffalo Bill himself was an excellent marksman. It was said that nobody could top him shooting a rifle off the back of a moving horse.

(picture above, L to R: Elisha Greene, Wild Bill Hickok, Buffalo Bill Cody, Texas Jack Omhundro, Eugene Overton in "Journal of the West," (p.62))

Animals also did their share in the show through rodeo entertainment. In the rodeo events, cowboys like Lee Martin would try to rope and ride broncos. Broncos are unbroken horses that tend to throw or buck their riders. Other wild animals they would attempt to ride or deal with were mules, buffalo, Texas steers, elk, deer, bears, and moose. Some notable cowboys who participated in the events were Buck Taylor (dubbed “The First Cowboy King”), Bronco Bill, James Lawson ("The Roper"), Bill Bullock, Tim Clayton, Coyote Bill, and Bridle Bill.

Races were another form of entertainment employed in the Wild West Show. Many different races were held, including those between cowboys, Mexicans, and Indians. A 100 yd foot race between Indian and Indian pony, a race between Sioux boys on bareback Indian ponies, races between Mexican thoroughbreds, and even a race between Lady Riders.

All in all, the show had a pretty big entourage. It contained as many as 1200 performers at one time (cowboys, scouts, Indians, military, Mexicans, and men from other heritages), and a large number of many animals including buffalo and Texas Longhorns. Performers in the show were often popular celebrities of the day.

Some of the recognizably famous men who took part in the show were Will Rogers, Tom Mix, Pawnee Bill, James Lawson, Bill Pickett, Jess Willard, Mexican Joe, Capt. Adam Bogardus, Buck Taylor, and Antonio Esquibel. Even more famous were Wild Bill Hickock and Johnny Baker.

Wild Bill Hickock was well known as a gunfighter, marshal and was an established dime novel hero, like Buffalo Bill. His name on the playbill gave a great draw of audiences because they knew him from dime-novels, and he was a genuine scout.

Johnny Baker was nicknamed the “Cowboy Kid” and considered to be Annie Oakley’s boy counterpart. Cody originally took him on in the show mainly because he would have been the same age as his own dead son, but little Johnny Baker turned out to be a great success, was very skilled and ended up becoming the arena director.

The list of famous Wild West Show participants was not limited to men. Women were also a large part of Buffalo Bill’s Wild West Show and attracted many spectators. In fact Annie Oakley, one of the show’s star attractions was a woman. Born Phoebe Ann Moses, Oakley first gained recognition as a sharpshooter when she defeated Frank Butler, a pro marksman are age 15 in a shooting exhibition. She became the star attraction of Buffalo Bill’s Wild West Show for 16 years, under the management of Frank Butler, whom she ended up marrying. Annie was billed in the show as “Miss Annie Oakley, the Peerless Lady Wing-Shot”. She was also nicknamed “Little Sure Shot” by Chief Sitting Bull, who was also in the show. Annie was renowned for her trick shots. Annie was able to, from 30 paces, split the edge of a playing card, hit center of ace of spades, shoot down a playing card tossed in air, shatter glass balls thrown in air, hit dimes held between Butler’s fingers, shoot an apple out of poodle’s mouth and shoot off the butt of cigarette from Butler’s mouth. She also performed the last trick shooting the cigarette out of Crown Prince Wilhelm’s mouth in Berlin. Her most famous trick was a mirror trick in which she hit a target behind her shooting backwards using a mirror for aim. These incredible feats of marksmanship amazed and excited people and she generated huge audiences eager to see the display

Calamity Jane (or Martha Cannary) was another distinguished woman participant of the show. Calamity Jane was a notorious frontierswoman who was the subject of many wild stories- many of which she made up herself. In the show, she was a skilled horsewoman and expert rifle and revolver handler. Calamity Jane appeared in Wild West shows until 1902, when she was reportedly fired for drinking and fighting.


Buffalo’s Bill’s Wild West Show continued to captivate audiences and tour annually for a total of 30 years (1883-1913). After opening on May 19, 1883 in Omaha, Nebraska, the show was on what seemed to be a perpetual tour all over the east of America. The show “hopped the pond” in 1887 when Queen Victoria requested the presence of Buffalo Bill’s Wild West show at her Golden Jubilee in 1887 at Windsor Castle, in England. The whole troop including 200 passengers plus 97 Natives, 18 buffalo, 181 horses, 10 elk, 4 donkeys, 5 longhorns (Texas steers), 2 deer, 10 mules, and the deadwood concord stagecoach crossed the Atlantic on several ships. They then toured England for the next six months and the following year returned to tour Europe until 1892. With his tour in Europe, Buffalo Bill established the myth of the American West overseas as well. To some Europeans, the Wild West show not only represented the west, but all of America. He also created the cowboy as an American icon. He gave the people of England, France, Spain, Italy, Belgium, Netherlands, and Germany a taste of the wild and romantic west

In 1893 the show performed at the Chicago World’s Fair to a crowd of 18,000. This performance was a huge contributor to the show’s popularity. The show never again did as well as it did that year. The economy and disasters in the south grew too much for the Wild West Show. In 1913 the show was declared bankrupt. Cody was forced to take his tents down for the last time.


Wild West shows have created a lasting image in American history of the American West. Buffalo Bill and the Wild West Shows crafted today’s representation of the West. They were the exaggeration of the reality of the American West, which made it all the more exciting. They have preserved, however accurately, stories of battle and history of the American West. The shows commemorate the settlers and unique attributes and characters of the time period. The legend left behind by the Wild West shows gives tribute to the remarkable period of history of the frontier movement, and beautifully captures the eternal spirit of the Wild West.



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Friday, October 9, 2009

Barrel Racing History


Barrel racing is a rodeo event in which a horse and rider attempt to complete a clover-leaf pattern around preset barrels in the fastest time. (Typically three fifty-five gallon metal or plastic drums) It combines the horse's athletic ability and the horsemanship skills of a rider in order to safely and successfully maneuver a horse through the pattern.



Though both boys and girls compete at the youth level and men compete in some amateur venues, in collegiate and professional ranks, it is primarily a rodeo event for women. In the 1900’s when the women began to compete in the rodeo’s they excelled at horse racing, trick riding and relay. Their weight was an advantage and, due to their gentler nature, the females seemed to have a closer kinship with the horses.




The History
(By Gail Hughbanks Woerner)



Faye Blackstone (pictured here) began her trick riding career in the 1930s, but when specialty acts began being replaced Faye turned her great horsemanship talents to barrel racing. She and a few other cowgirls began the barrel racing event in Florida in 1950. Dixie Reger Mosley(the last picture on the page) began her rodeo career at age 5 ½ years old, trick riding on a Shetland pony. Growing up in a rodeo family gave her many varied opportunities, including some rodeo clowning. When the Girl’s Rodeo Association (GRA) began in 1948, which turned in to the Women’s Professional Rodeo Association (WPRA) in 1981, Dixie was the bullfighter, rodeo clown, and competed in most events, except bull riding. She saw barrel racing evolve through the GRA organization to become an event for women that today offers purses that compete with the Professional Rodeo Cowboy’s Association (PRCA) event purses.



Barrel racing was first seen in Texas , according to Faye Blackstone, and spread from there. Although women had been competing in rodeo, in various ways, since the 1880s, when Buffalo Bill Cody, hired Annie Oakley (pictured below), the best known woman gun handler of the day. Cody discovered that fans would flock to his wild west shows to see her perform. But the decision to include women bronc riders, relay race riders, and so on, was always at the discretion of the men producing the event.


The 1931 Stamford, Texas, Cowboy Reunion, a weekend rodeo, decided to add girls, sixteen years and older, that were sponsored by area businesses and represented the community from which they came. The girls would lead the parade, participate in various minor rodeo activities and be available to visit and dance with the cowboys at the social events held each evening. The following year the young ladies were given prizes for (1) the best mount, (2) most attractive riding outfit, and (3) best horsemanship. The horsemanship was demonstrated by riding in a figure eight around barrels. In 1935 the Stamford event changed the barrel racing to a cloverleaf pattern, but it was not judged strictly by the shortest time until 1949.


The Cowboys Amateur Association (CAA) organized in 1940, and held rodeos where the contestant could compete on the amateur level until they had won $500. They could then join the ‘professional’ rodeo organization, should they choose to do so. The CAA held competitions for women, as well as men, which included barrel racing, cutting horse contests, bronc riding and a roping event. They also offered money as prizes instead of feminine gifts, such as make-up cases and hair products, which were the general prizes offered previously.


There was a flurry of “all girl rodeos” during World War II. They were highly successful, but when the war was over and the men came home things went back to the way they had been before the war, that meant few rodeo competitions for women.

Mildred Farris, barrel racing pioneer, whose competitive years spanned the 1950s until 1971, and was a Girl’s Rodeo Association director, vice-president and president from 1965 to 1971, remembers the days when she and others in her era were trying to get barrel racing included at rodeos across the country. “I worked for the rodeo producer, Tommy Steiner, as a rodeo secretary and he always had barrel races at his rodeos. I think that the barrel racing event, in the beginning, often took the place of contract acts, that had been such an important part of rodeos in earlier days. The girls in the barrel racing event, in our day, always wore more colorful, flashy clothes, much like the contract performers. Steiner was the first producer to use the electric eye in timing the barrel racing event. It must have been in the 1960s,” Farris recalled. She also said that in those days the prizes for barrel racing were not comparable to the men’s events. If the men’s bronc riding or roping paid $400 to win, the barrel racing paid around $100 to the winner. She is quite proud to say that in today’s rodeo the WPRA-sanctioned barrel racing events pay comparable monies to the PRCA-sanctioned events, such as bronc riding, roping competitions, etc.




Farris reminisced about her first barrel racing horse. She bought a ‘spoiled’ roping horse. He was ‘high-headed’ and it was impossible to use a tie down on him. But when he started running he would put his head down and he handled well. “The first barrel race I entered with him was an amateur rodeo and I had only run him a few times. At the last minute they decided to change the pattern and run to the first barrel, then to the third barrel, (the farthest away), and back to the second barrel. In spite of the fact he’d not run this pattern before we finished second. That night I practiced this new pattern with him and the second performance we finished first.” Farris was one of the top fifteen barrel racers in the United States for twelve years, 1958 through 1970, only missing 1965. She was also voted Rodeo Secretary of the Year by PRCA nine times, with the most recent honor given to her in 2006. She was inducted, with husband, John, in to the ProRodeo Hall of Fame in 2006.


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